Tuesday, June 28, 2011

An Overview...Originals and Limited Editions

Art collectors have long had the choice of purchasing art on paper or art on canvas. The paper art included original works such as watercolors, pastels, pencil or ink drawings, lithos, serigraphs and etchings....and limited editions reproduced photomechanically from originals.

Canvases were usually original (and costly) works of art. But now, the growing popularity and availability of limited editions on canvas give collectors “the original look” at affordable prices.

So what are limited edition canvases and how are they produced?

There are several ways of producing canvas limited editions such as the once popular “canvas transfers,” made by fusing the top layer of a paper print onto a prepared canvas surface. The result was an image that appeared as you might expect it to — like a paper print fused to a piece of canvas. Often, to make the print look “original,” the artist (or a technician) added textured varnish or paint to the print surface.

Today's state of the art reproductive technique is the giclée (jhee-clay) method in which high-tech printing equipment sprays millions of digitally-matched ink droplets per second onto a surface. Canvas, paper and archival board are the most common giclée surfaces.

Developed some ten years ago, the giclée has now become the “gold standard” — an important and permanent part of the limited edition world.

This spectacular blend of technology and fine art looks so much like the original work of art that even astute collectors do “double-takes.” Therefore, buyers should be aware that not all “original appearing” works of art are original.

The giclée (unless printed on paper) is meant to be enjoyed without glass, so nothing comes between you and your art.

From our Art FAQ page.

Next week - Selecting Art...Hints for How to Choose

Friday, May 27, 2011

Welcome News Herald Community Readers

Gallery One welcomes our neighbors from our local newspaper's blog! I've been reading through some of the stories in the widget and one in particular caught my eye. . .the story about the effect of recent storms on homes and marinas in and around Mentor.

It brought to mind an event that occurred here at Gallery One. We had just sent a package to a client in Oklahoma who had purchased something at our May 20 auction. FedEx was unable to deliver to the address because a tornado had completely destroyed their home. We were unable to reach the client by phone so we sent an email but have not yet heard from them. Our thoughts and prayers go out to all those affected by severe weather locally and nationally. This situation certainly brought the tragedy home to us. I hope the craziness subsides soon and June will bring sunnier skies!

But, back to the News Herald Community, I encourage you to comment on our blogs, ask questions about art and framing and generally interact to make this the kind of place where you can come to find answers. We can offer advice on the best ways to frame your keepsakes, arranging pictures around thermostats and fireplaces, creating groupings or the difference between a giclee and a paper print. Please feel free to click the comment link or email me directly at art@galleryone.com I look forward to our dialogs.

BTW, This is an excellent time to become a reader of AskGalleryOne. We are in the midst of a Groupon special as outlined in our previous blog! That's all for now!

Wednesday, May 25, 2011

Gallery One is a Featured Deal at Groupon!

Well, April was a very busy month! The live auction we had was our first in three years and required weeks of preparation in the gallery and on the web. But if you missed it. . .

Today is the first of our five day feature at Groupon.com! We are excited to offer these great deals on art and framing to make your home or office a more beautiful and comfortable place to spend your time. Becoming a feature gives us wider exposure and allows us to reach new clients in our area. Take advantage of this 50% offer while you still can. . .we don't know when it will happen again!

You may choose one of the following options.

For $25, you get $50 worth of art, framing services, and décor.
For $50, you get $100 worth of art, framing services, and décor.

Nothing is excluded! In fact, we have a selection of specials so that you'll have savings on top of savings! Check out: Alan Brown's framed minis usually $195...now just $100 or Figurines by Jim Daly and Will Bullas or work with our award-winning framing department to frame your art or memorabilia!

And remember, we want to be your favorite place to shop for art . . . forever!

Tuesday, March 29, 2011

Remembering Leo Stans


We sadly report the recent passing of one of our favorite Masterworks artists, Leo William Stans.

Leo Stans was born in 1953 in Minnesota, where as a youth, he and his friends spent long hours fishing, hunting and building tree houses. He assisted his parents with their paint and wallpaper business in Excelsior and helped build the beautiful Dahlgreen Golf Course, which his relatives constructed on his grandfather's farm land. An avid outdoorsman, he pursued a degree in forestry at the University of Minnesota, graduating with a Bachelor of Science degree. After college he held various jobs, including selling insurance. As he had always had a talent for art, he was drawn to painting wildlife and landscapes, and in 1980, he decided to become a professional artist.

He met and married a beautiful young woman named Janet Morgan. In 1991, Leo was commissioned to paint The National Park Series which was sold as framed prints. These prints were wildly successful and 100,000s were sold throughout the U.S. and Canada. With two young children, Leo and Janet moved their family to a newly-built house in the countryside of Belle Plaine. Together, they enjoyed road trips to Arizona, Las Vegas and Disney World. In 2002, seeking fresh artistic direction, he began to paint historical street scenes situated in Minneapolis and St. Paul, as well as landscapes of the magnificent Southwest that he loved so well. In 2009, he was named official artist of the Minnesota State Fair.

Leo was a man of great talent, integrity and charisma, and had the rare gift of making friends wherever he went. He was sentimental and introspective, had a keen sense of humor and his kids loved to make him laugh. He was a passionate and skilled hunter and fisherman, and had a deep appreciation for wildlife and natural areas. His great love of beauty was expressed through his many paintings, which were and will continue to be recognized for their rich colors and attention to fine detail. He had great faith in his own talents, and a drive to share those talents for the benefit of others. His family is comforted by the fact that his legacy will continue on through his artwork.

Wednesday, March 9, 2011

Masterworks in Miniature opens March 11


Gallery One’s famed Masterworks in Miniature opens Friday, March 11, 7 p.m. to 9 p.m., with a wine and cheese celebration and the exhibition of 150 small and truly outstanding works of art — created by today’s most collected painters.

Now in its 20th year, Masterworks features original paintings by Robert Bateman, Edna Hibel, Carl Brenders, Terry Isaac, Dean Morrissey, Bonnie Marris, June Carey, Robert Laessig, James Christensen and more than 100 other top artists. Works are framed and are priced from $300.

While some Masterworks will fit in the palm of one's hand, others are as large as 9" x 12." A rare few may be a bit larger. Regardless of size, all are exquisitely detailed and represent the high quality expected of the individual artists. Genres include wildlife, portraits, still life, landscape, abstract, western and fantasy.

The artists are from all over the world. Some are miniaturists, specifically known for small originals. Many like Bateman and Christensen have carved out enviable reputations for full-sized originals — at prices that do not fit the average wallet.

“When such top artists are ‘forced’ to work small, their prices become really affordable,” said Alan Brown, gallery president. “Collectors of limited editions often find that they can collect such miniatures for less than prints by the very same artists.”

The demand for the miniatures is so intense that, for most of the entries, prospective buyers must submit “intent-to-purchase” forms from which lucky purchasers are drawn at the close of the event. A portion of the exhibit is available for purchase on a first come, first served basis.

All works will be on exhibit until Saturday, March 26 when the event closes. In addition, the entire exhibit can be viewed at www.galleryone.com beginning on March 11 along with detailed information regarding each work and artist. Information about purchasing will be on the web, as well.

And how do collectors display the miniatures? Many find their way into wall groupings while others rest comfortably on small easels, bathed in lamplight. Some hang alone, featured above an interesting furniture item. Regardless of how they are used, they are perfect jewels.

For additional information, call 800.621.1141 or 440.255.1200 or visit www.galleryone.com.

That's all for now!
Norah Lynne and Alan

Tuesday, February 22, 2011

Art Museum Project

Wow! Have you seen Google's new Art Project? Announced Feb. 1, the best art museums from around world have been "googled". Imagine Google Map's "street-view" feature inside the museums. Now imagine closeups on minute details of the images with tons of background information. It's absolutely amazing. Visit Prague, Versailles, Amsterdam, London, NYC, Moscow, Florence and more. Build your own collection and share it with your friends. This is too good to miss!

I hope they continue to add more; most notably, Le Louvre, and why not the Cleveland Museum of Art? This is such a wonderful way for parents to introduce their children to art. Or for teachers to guide their students at any level, not just in the study of the art and artists, but in the study of the museum and it's architecture as well.

Is it too far fetched to dream that perhaps someday they'll arrive at Gallery One's door with their cameras??

Read More: http://googleblog.blogspot.com/2011/02/explore-museums-and-great-works-of-art.html

Wednesday, February 9, 2011

About Our Framing and Conservation Advisor. . .

I never met Ross Merrill. Ours was a phone relationship. He was the teacher. I was the student.

Alan and I founded Gallery One in 1974. We had a significant background in retailing...and a love for the art of the day. We knew nothing about framing...and, in fact, thought we could run a proper art gallery while "farming out" framing projects to other custom framers in the area.

One such framer - one of northeastern Ohio's most renowned - framed an expensive item for our personal collection...and, by accident, I discovered that they had greatly devalued it with improper framing methods...so much so that they reimbursed us for the item and the framing. A bit shell-shocked, we realized that we needed to set up a custom framing department at Gallery One so that we could provide quality framing to our growing list of art (and framing) clients.

We bought the best equipment of the day, did what we could to train ourselves, handled every work with care, and became framers...doing the best we could. We were able to frame routine items...but if you are a custom framer, unusual projects become the norm. Having had the bad experience with the framing of our own item, I knew better than to rely on assistance from my peers in the industry. So I called the Cleveland Museum of Art and asked if anyone in their organization could advise an area framer. They put me through to Ross Merrill. (I just discovered that he had earned his master's degree in fine-art conservation from Ohio's Oberlin College in Ohio in 1974...the year we founded Gallery One...and was obviously new at the CMA. He later led their conservation department before going on to an even more prestigious career.)

Thus Ross and I began our phone relationship. I'm sure it was not a big deal to Ross. I called weekly or more with one question after another. And he always had time to advise me without making me feel incompetent. And I always followed his recommendations, thanking him for his kindness and picturing him as a much older person - mainly because of his knowledge.

Around that time, a gentleman drove from Cleveland with an armload of expensive art to be framed. It may have been the biggest framing sale we had ever had. I asked what brought him to Gallery One, and he said that he had contacted Ross Merrill at the CMA and that Ross recommended that he take his framing to us. I called Ross later that day to thank him for the substantial order. I asked what made him recommend us. After all, he had never visited Gallery One and we had never met. His response has stayed with me to this day: "Mrs. Brown, no one else cares as much as you do." I realize now that that became my charge. I still care as much as I did back then...the difference is that today I have staff that also cares as much.

I wonder if Ross ever realized what an impact his assistance made on a newbie framer/gallery owner...and just how much I appreciated his kindness in instructing me. And by the way, I was shocked to find that I was older than he. He was just so much wiser!

Please take a moment to look at the links. Ross died in December 2010. I have thought of him often, knowing that he went on to a distinguished career at Washington DC's National Gallery of Art where he built their conservation department into one of the most respected organizations of its kind in the world.

Ross Merrill's life
Ross Merrill's video interview
Ross Merrill's paintings

That's all for now!
Norah Lynne and Alan